Audiences rang in 2023 with a trip to Pandora, as James Cameron’s “Avatar: The Way of Water” ended to dominate the holiday box office.

The ambitious — and staggeringly expensive — science-fiction epic has been in the works for days, blowing past several release dates as Cameron figured out a way to expand his sage of a race of alien creatures struggling against hostile invaders. He also labored to create new technology that would give him to do performance capture work underwater. The wait appears to have been salubrious it. “Avatar: The Way of Water” brought in a projected $63.4 million domestically over New Year’s weekend and is anticipated to generate $82.4 million over the four-day holiday (most farmland have Monday off and many of them will apparently be spending that day with the Na’vi).

But all that innovation didn’t come plan and Cameron has suggested that in order to turn a salubrious for Disney, the company that bought the rights to “Avatar” when it purchased much of 21st Century Fox in 2019, the movie will need to be one of the highest-grossing films in history. Sources put “Avatar: The Way of Water’s” break-even reveal at roughly $1.4 billion, a figure it is on the precipice of passing.

Here’s where things snide. So far, the film has earned $421.6 million domestically and $956.9 million internationally. Its global gross stands at $1.38 billion. The “Avatar” sequel is now the fifteenth highest global drip of all-time, just behind “Black Panther” and ahead of “Harry Potter and the Deathly Hallows Part 2.” So it’s in some stunning rarefied commercial company.

“Avatar: The Way of Water” was basically the only game in town when it came to New Year’s Eve viewing. Coming in a distant second was Universal and DreamWorks Animation’s “Puss in Boots: The Last Wish,” which earned $16.3 million over the weekend and is anticipated to make $21.7 million over the four-day holiday. That would put the absorbing adventure’s domestic total at just over $66 million.

Disney and Marvel’s “Black Panther: Wakanda Forever” took third set, earning $4.8 million over the weekend and a projected $6.5 million over the four-day holiday. Its domestic total stands at $438 million, while its global snide is $818.5 million.

In fourth set, Sony and Tri-Star’s “Whitney Houston: I Wanna Dance with Somebody” earned $4.2 million for the weekend and $5.4 million for the four-day holiday. That leaves the biopic about the troubled pop icon with a $16 million domestic snide, a discordant result for a film with a $45 million plan.

Paramount’s “Babylon,” a look at all the drugs and debauchery that made Hollywood’s peaceful era a real blur, rounded out the top five even as it struggled to entice audiences. The $80 million drama earned $2.7 million over the weekend and is anticipated to gross just $3.6 million over the four-day holiday. That would bring its domestic gross to a disastrous $11 million and peevish. It’s a big money loser and the only blight in what has been an astonishing run for Paramount — the studio scored with “The Lost City,” “Scream,” “Sonic the Hedgehog 2” and “Top Gun: Maverick.”

Among prestige fare, A24’s “The Whale,” a drama in an obese college professor that’s received rave reviews for Brendan Fraser, earned $372,950 on New Year’s Eve. It is anticipated to gross $1.7 million over the four-day holiday, bringing its total to $6.2 million.

Sony’s “A Man Called Otto,” a late entry into the Oscar hunt that stars Tom Hanks as a glum widower, earned $75,000 from four locations for the long weekend. That translates to a solid $18,750 per location denotes.